“Celeste and Jesse Forever” is new comedy and drama 2012 movie. It is directed by Lee Toland Krieger. It i written by Rashida Jones, Will McCormack. It is starring by Rashida Jones, Andy Samberg.Watch online Celeste and Jesse Forever movie in Full HD/DVD/ipod/divX All Qualities are Here Movie Review (Synopsis): Celeste (Rashida Jones) and Jesse (Andy Samberg) met in high school, married young and are growing apart. Now thirty, Celeste is the driven owner of her own media consulting firm, Jesse is once again unemployed and in no particular rush to do anything with his life. Celeste is convinced that divorcing Jesse is the right thing to do — she is on her way up, he is on his way nowhere, and if they do it now instead of later, they can remain supportive friends. Jesse passively accepts this transition into friendship, even though he is still in love with her. As the reality of their separation sets in, Celeste slowly and painfully realizes she has been cavalier about their relationship, and her decision, which once seemed mature and progressive, now seems impulsive and selfish. But her timing with Jesse is less than fortuitous. While navigating the turbulent changes in their lives and in their hearts, these two learn that in order to truly love someone, you may have to let them go.Celeste (Rashida Jones) and Jesse (Andy Samberg) met in high school, married young and are growing apart. Now thirty, Celeste is the driven owner of her own media consulting firm, Jesse is once again unemployed and in no particular rush to do anything with his life. Celeste is convinced that divorcing Jesse is the right thing to do — she is on her way up, he is on his way nowhere, and if they do it now instead of later, they can remain supportive friends. Engaged friends Beth & Tucker (Ari Graynor, Eric Christian Olsen) neither understands nor approve of Celeste and Jesse’s un-couplehood. Celeste’s boss (Elijah Wood) and Jesse’s buddy and resident dope dealer Skillz (Will McCormack) are the model confidantes for their respective mate, providing the best advise possible for guys who don’t date. To the frustration of all casual observers, they are not acting at all like two people who are planning on getting a divorce, despite the fact that everyone knows if it clearly over between them. A drunken night of convenient sex leads to an emotionally harsh morning after for Jesse where Celeste claims she made a mistake. Soon after, Jesse meets up with Veronica, a fling from a few months back, who informs him that he’s going to be a dad. Sudden, Jesse has decided to get his act together. He matures and begins to act responsibly, much to Celeste’s chagrin. The man Celeste thought Jesse would never be, begins to manifest before her eyes, but for another woman. As a result, Celeste begins to question if she made a mistake divorcing Jesse. Despite the warmth and chemistry between Celeste and Jesse, we quickly come to learn just how a seemingly wonderful relationship has ended in a broken union – Celeste is an ambitious go-getter (she’s a “trend forecaster” who takes her job seriously, and she’s been rewarded with a new book and a partnership in her firm) and illustrator Jesse is happy enough just relaxing in his studio. The cracks formed between them have brought them here – six months into their separation after a six year marriage – and the understanding is that, before they dropped the axe, things were pretty goddamn miserable. But hanging on to old relationships and old affections is just as toxic and dangerous as staying in them, and the one-two punch of an ill-advised evening of backsliding and the news that Jesse has something big going on (very) independent of his relationship with Celeste push them further apart than they’ve ever been. And they also push the always-in-control (and, to listen to her, always correct) Celeste into the sort of downward spiral we’d expect from Jesse. The film features a large, recognizable cast supporting and, for all the expected roles (Eric Christian Olsen and Ari Graynor as Celeste and Jesse’s somewhat dippy, but well-meaning best friends, Chris Messina as the one non-Jesse dude who might crack open Celeste’s heart), a number of the talents are playing amusingly against type– including Elijah Wood as Celeste’s prissy partner, Emma Roberts as a Kesha-styled pop star whose career Celeste needs to help resurrect, Rich Sommer as a nice dude on a bad date, McCormack himself as Jesse and Celeste’s dim-witted pot dealer, and Chris Pine as…well, keep your eyes peeled for his very unique virtual cameo. The film adeptly juggles different perspectives and elements of Celeste and Jesse’s lives before giving over to Celeste and her own journey. While things become muddled during the film’s middle portion, these choices don’t appear to be due to equally muddled filmmaking, but seem to have been made to reflect Celeste’s own mental state – jumpy, confused, and prone to wildly vacillating between both good choices and bad experiences. Krieger does take some time to harness his tone – the first fifteen or so minutes of Celeste and Jesse are perhaps too light-hearted, and it’s jarring when things become serious (and swiftly) – but it catches its bearings and sings on beautifully. Krieger and his crew also throw in some effective touches to further their aims – reflecting mood and tone through the film’s color palette; gradually changing Celeste’s mainly black wardrobe; approximating distress through unfocused cameras, skewed angles, and low sound; outfitting the whole thing with a solid soundtrack – and the result is a well-made (and clearly well-loved) final product. Rounding out the supporting cast of Celeste and Jesse Forever are such people as Elijah Wood, Emma Roberts (Scream 4), Eric Christian Olsen (NCIS: Los Angeles), Janel Parrish (Pretty Little Liars), Chris Messina (Devil), and Jones’ co-writer on the film, Will McCormack, among others. Taking all that into consideration: it sounds as though Celeste and Jesse Forever actually offers a refreshingly mature examination of a problem many modern couples end up facing eventually – with Jones and Samberg serving as the glue that holds the whole venture together. That alone could make this flick worth a look, especially for those who’re ready for a change of pace after three months’ worth of big-budget releases. 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