“The Invisible War” is new documentry movie. It is written and directed by Kirby Dick about sexual abuse in the United States Armed Forces. Movie is produced by Amy Ziering, Tanner King Barklow.Watch online The Invisible War movie in Full HD/DVD/ipod/divX All Qualities are Here
Movie review (Synopsis):
Academy Award-nominated filmmaker Kirby Dick investigates the troubling epidemic of rape in the military while speaking with the courageous victims who have refused to be intimidated into silence. In 2009 alone, 16,150 service members were sexually assaulted. Meanwhile, it’s estimated that female soldiers in the U.S. military are more likely to be raped by a male soldier than shot by an enemy combatant. Despite the overwhelming evidence presented by these victimized soldiers, however, only 2% of rape accusations in the military end in prosecution. In some cases, male soldiers have even been awarded medals for bravery and professionalism while being investigated for rape. In addition to hearing from the women who have been sexually assaulted while serving their country, we also learn how systematic corruption allows the vast majority of their attackers to walk free and what’s being done to ensure that no crime goes unpunished.
Qays (Kais Nashef) and Layla (Maisa Abd Elhadi) fall in love while attending school on the West Bank. Stuck back at home in Gaza, they’re kept apart by Layla’s middle-class parents, who don’t approve of the scruffy, poetry-reciting Qays or Laya’s interest in engineering. They’re determined that Layla marry a dull, thickheaded doctor who is likely to keep her locked away as a baby-producing drone. It’s not the most original brand of conflict, but hardly without promise, particularly when the additional element is introduced of Gaza’s self-appointed moralists who take it upon themselves to ensure the unmarried couple is acting properly.
But even as it seems to have all the elements for a powerful and topical drama, Habibi is afflicted by board-stiff performances, too-obvious screenplay, and general air of artistic immaturity. The script relies too much on clunky happenstance, particularly in a scene where a character is shot at random, supposedly by an Israeli settler (this even though settlers were evicted en masse after Israel’s 2005 withdrawal from Gaza). It also has a penchant for high-school theatrics, including long scrawls of immature poetry and florid declarations (“Let poetry break the Occupation”), instead of an organically developing story.
he Invisible War is a groundbreaking investigative documentary about the shameful and underreported epidemic of rape within the US military. With stark clarity and escalating revelations, The Invisible War exposes the rape epidemic in the armed forces, investigating the institutions that perpetuate it as well as its profound personal and social consequences. We meet characters who embraced their military service with pride and professionalism, only to have their idealism crushed. Focusing on the emotionally charged stories of survivors, the film reveals the systemic cover-up of the crimes against them and follows their struggles to rebuild their lives and fight for justice. The Invisible Warfeatures hard-hitting interviews with high-ranking military officers and members of Congress that reveal the perfect storm conditions that exist for rape in the military, its history of cover-up, and what can be done to bring about much needed change.
With a discipline matching its milieu, The Invisible War lays bare a disturbing, systemic problem: In the military, rape rates among women number at least one in five, and reporting of the crimes often leads to blame-the-victim retaliation. Dick has assembled a moving litany of testimonials, covering a variety of soldiers and scenarios, giving this heartfelt, steel-nerved, conscientiously argued film an emotional and political maturity rare among “issue” docs. In addition to the voices of the aggrieved (who include men), there are head-clutching interviews with sloganeering military officials. (“Ask her when she’s sober!” runs one cringe-worthy awareness campaign.) Braided throughout are verity tagalongs with one fiery young vet, Kori Cioca, who hacks through VA hotlines while seeking medical coverage for a jaw broken by a superior.
Dick and producer Amy Ziering were inspired by Helen Benedict’s depressing 2007 Salon article on women in Iraq, which they were surprised to discover no one was already adapting.
The Invisible War makes these figures visible, both by providing particular stories and also, remarkable storytellers. Woman after woman tells of being drugged and assaulted, raped by multiple assailants, raped with loaded .45s held to their heads, raped by their commanding officers, screaming while nobody in the nearby rooms came to their aid, raped and then punished for daring to report it. These stories—along with others provided by advocates and lawyers, wives and husbands, mothers and fathers—lead to the film’s conclusion about the system in place, damning and difficult to deny.
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Not only has every branch of the American military failed miserably to adjust to the fact that thousands of women are entering its once all-male bases, but their reactions to the epidemic have been a mixture of soul-numbing bureaucratese and vengeful, self-protective violence. More than one woman says that the worst part of the ordeal wasn’t the assault itself, but the closed loop of denial and ugly retaliation that followed.